Eden was launched by the design house of Cacharel in
1994. Its release was accompanied by a lavish party in an airport hangar
in France in which nude teenage models were hired to be part of the scenery on
a fake tropic island. The scent itself is a sweet green concoction,
beginning as a canned fruit salad and evolving into a pungent, decadent
patchouli musk. Throughout the scent’s progression it becomes ever
stronger, almost suffocating, creating a humid, sweaty greenhouse atmosphere
around the wearer. It lasts on skin interminably.
Driving home Jon remembers it’s there right nearby, right down
the street. Emboldened by liquor and a recent viewing of a documentary on
pre-AIDS urban gay hedonism he says to himself Why Not. He performs a
quick U-turn fifty feet from his house and heads toward Lennox Avenue.
It’s somewhere on Lennox Avenue but he can’t remember if it’s close to the
highway or on the opposite end. After some confusion he spots it, a three-story brown box with only an underlit sign a foot high reading 4608 to identify
it. There are two small parking lots on either side of it and the
entrance faces away from the street. He fails to notice that there are
only four or five cars parked outside.
Stumbling and smiling to himself and clutching his wallet to
make sure it’s there, he walks up the zig-zagging wooden handicap ramp to the
double door. A cacophony of bathroom and pool smells-- chlorine,
industrial-strength air fresheners, shit, sweat, and ammoniac urine- blows onto
his face from an air-conditioning vent. He is in a small, white, linoleum-floored
room with a desk and glass partition on one side and a locked door on the
other. He approaches the partition.
Hello how’re you doing tonight?
Fine. How can I help you?
Oh, I’d like to get in. I don’t exactly know what to do.
OK, you’ll need a valid ID. There’s the list of
admission prices. It depends on what you want.
The haggard boy behind the partition points to a
ballpark-style menu of options with varying prices. Jon spots one that
says STUDENT: $10.
He hands over the money and his ID and the boy files them away
in a box. He is given a towel and a key through a hole in the partition
and the double doors are unlocked with a loud beep. Inside the smell is
stronger and the room vibrates from pulsating, far-off Hi-NRG disco that is coming
from the floors above and below. The bruise of fluorescent light near
the entrance fades into a watery red-black after several yards. He sees
an assortment of unoccupied exercise machines in one corner, a square section
of lockers nearby, and a glass-walled room with a large television casting a
sleazy blue glow on some empty couches. There is a stairwell from which
the red light emanates. There isn’t a human in sight except for the boy
behind the counter. The room has the abandoned feel of a department store
after closing.
After finding the locker that matches the number on his key--it is on the very bottom row, so he has to crouch on the floor to access it--he
undresses totally, laughing out loud at the absurdity of the situation, telling
himself he’s doing it for anthropological purposes like an undercover
journalist, not just because he wants to fuck the first warm male body he
sees. He wads up his shirt and shorts and stuffs them into the locker,
retaining only his cigarettes and lighter. The towel is not quite large
enough to stay around his waist so he has to hold it up with one hand.
A short pig-like man in a tank top carrying a stack of towels
abruptly passes by. He is fully clothed so he must work here.
Hey, um, can you help me out?
What?
So what do you do here? Jon laughs.
What do you mean? The pig makes his impatience
known. The pool’s out there, there are private rooms upstairs and down
below. I don’t know what else you need to know. He waddles off with
a sigh and enters the area behind the desk.
Up, up the stairs to the second floor. The disco gets
louder, the stairs thump harder. Cigarettes, lighter, and key in one
hand, towel clutched to his waist in the other, it is not easy walking up two
flights. At the top all is totally red and before him are a serious of
numbered rooms stretching thirty feet to the left and right. The walls
stop a yard short of the ceiling. He turns left and walks to the end and
around the corner. More rooms, more numbers, more flimsy thin walls. He
takes the first left down another cramped hallway and then right. After
this he doesn’t think about which way he is turning. He is savoring the
surreal atmosphere and the feeling of endlessness about the place.
Cartoonish female voices, sped-up to an ominous distortion and bolstered with
pounding, shattering bass and icy electronics, act as an advertisement for the
drugs he wishes he had. His mouth is parched and his throat keeps
sticking to itself, causing him to gag. Occasionally he will pass small
fluorescent-lit corners like condensed doctor’s office waiting rooms with two
chairs and a small table on which sits a bowl of condoms. It might just
be one corner that he passes multiple times, he can’t tell. He looks up
at the end of this particularly dark stretch of doors and sees blue light
leaking from one that is slightly ajar. Padding toward it he sees a small
television, a bald man, and a pair of legs. Some tinny pre-recorded
moaning registers under the disco. Frightened, he heads back in the
direction of the stairwell.
He is in a large Jacuzzi with another pig-like man. This
one has an upturned nose and wide, flaring nostrils. He looks like the
other one in a previous evolutionary state. His chest and shoulders have
recently been shaved and poking out of the skin are thick black bristles.
So where’re you from? Jon tries to sound casual and
seductive and makes an effort not to slur. He is aware of his erection
underneath the bubbling water. He gets his cigarette wet and the lit
half breaks off and falls in.
I’m from out of town.
Have you ever been to a place like this?
No. I’m from out of town.
The pig is not interested and exits the Jacuzzi with a
splash. He retrieves his towel and disappears inside.
On a couch in the TV room sits a bearded man in a towel.
His body is taut and wiry. His feet are resting on the coffee table, next
to a stack of magazines. He is staring intently at the news program on
the television, black blocky closed captioning running underneath the female
reporter.
Can you believe they’re doing that? The whole system is
so backwards. America is fucked.
The man is the first person in the bathhouse that speaks
without being spoken to. Jon finds him instantly attractive and moves
from his isolated chair to the couch. He props his feet next to the
man’s, on top of the magazines.
Oh I know.
Any idiot knows that doing that will just increase the
deficit. Any idiot knows that. Me, I’d just let it run its
course. I’d just let it run its course and then we’d be back on our feet.
It’ll heal itself. As it is the system just fucks over the people like
me, the people like you and me. Well I don’t know anything about you but
it certainly fucks me over. Twenty-five years I’ve been dealing with this,
no, more like thirty years-- I forget how old I am. They keep interfering
and the deficit’s just gonna get bigger, and you’re gonna be paying for
it. I’ll be dead but you’ll be paying for it.
Oh I know. Jon slides his foot up the man’s firm leg and
pokes at the hot, tightly closed thighs. This requires some awkward
positioning on the couch. The man continues talking, seemingly
unaware. Jon doesn’t hear a word he says but attempts to pry open the hot
thighs with his big toe. Eventually they give and he brushes against
something hairy and gelatinous. The man scoots down further away to the
opposite end of the couch and continues his speech.
Down the stairwell to the bottom floor. It looks like
the second floor but the walls are splattered with day-glo paint. The rooms
on this floor are arranged in a square around a large open space in which hang
various chains and stirrups and harnesses. All are unoccupied.
Surveying the scene, Jon notices an open door across the way. Not cracked
accidentally, totally open. As he approaches it, his testicles shrink up
close to his body. He sees a prone, naked figure lying face-down on a
cot. On the small table next to the cot are a pair of glasses, a box of
tissues, and a wallet. There is a towel crumpled on the floor.
Hi, he tries, tentative now.
Hey handsome.
The figure doesn’t turn over.
How’s it goin?
Fine, fine.
After a pause Jon says, I want
to fuck you.
Okay.
Surprised that it was that easy, he crouches onto the bed and
gets astride the man and turns him over gently. The man has a full head
of black hair and looks to be of Latino descent. Jon cannot easily
ascertain his age. In the darkness he can see a pair of hollow black eyes
and a thin-lipped wet mouth, slightly ajar. Jon presses his weight on top
of the man and inhales his scent. Around the neck is a powdery, faded
barbershop odor that reminds him of his father. His head travels to the
armpits and he presses his nose in the damp, straight hair, savoring the stale
cumin ripeness. At the navel he inserts a stiffened tongue and licks a
trail down to a nest of wiry fur. He presses his nose under the man’s
limp penis but does not place it in his mouth. The scent of the man’s
genitals mirrors the armpit but is amplified, enhanced.
I won’t do it without a condom.
Well then go get one, the man says, annoyed.
Jon hurries out of the room to one of the condensed corner
doctor’s office waiting rooms and scoops a couple of condoms out of the
bowl. He is still fully erect.
Back in the room he kneels at the end of the bed and spreads
the man’s legs. He opens the condom wrapper with trembling hands and
extracts the greasy object inside. The harsh, medicinal smell of latex
bursts into the air. Examining the condom, he momentarily doubts that
he’s putting it on the right way. He slides it over his penis and presses
it to the base. The man hands him a greasy bottle of lubricant, which
makes a loud ketchup fart when he squeezes it. Jon coats his penis and
squeezes a stream down the man’s furry crevice. The legs are lifted over
his shoulders and he presses on the sphincter. It gives with surprising
ease, and he is inside. The man releases a high, child-like moan and a
sharp, musty odor fills the space.
No, noo, noo no. Yes. Noo, no-oh, no-oh, nooo, aw
yeah, noooo.
What’s that you’re wearing? You smell great. Jon
is sitting at the foot of the bed. The familiar guilt that floods his
head at the precise moment he orgasms is making him feel clammy and
nauseous. His mouth is drier than ever, and he wants a tall glass of ice
water and another cigarette and the safety of his own bed.
Old Spice. With an insinuating tone, the man asks, And
what’s that you’re wearing?
This? Oh, it’s called Eden. Cacharel. I just
got it the other day.
Interesting…
A pause.
Well, uh, thanks for a good time. Jon mechanically
kisses the man’s cheek.
The next day he throws the nearly-full bottle of Eden in the
trash can.
-November 2011